digital phoneline with Lanier voice writer
Posted By: Lisa on 2007-10-15
In Reply to:
I recently had my unlimited long distance suspended because of the time I was putting in on the lanier voice writer. I as going to switch to digital through the cable company with a data line added for access to dial tone. Does anyone have any suggestions good or bad on the digital phone line used with the LAnier voicewriter. Please let me know.
Thank, Lisa
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Lanier is a digital unit
There is a screen on the front of the unit letting you know the job information, number of minutes, dictator, etc. The unit itself utilizes a phone line. The dictators call the server and record their dictation. You access their dictation through the Lanier.
It wasn't on a voice file. It was on an old Lanier, but (sm)
my friend transferred it to a tape (she had the dictation) and I listened to it. Gross.
Lanier station with Comcast Digital
I have used this for quite some time with no problems. I have also used a C-phone and Voice Solutions Digital Workstation with Comcast and it works just fine. The only thing you may have a problem with is having dictation cut out periodically or what sounds like "choppy" dictation (and this occurs VERY rarely) and all you have to do is disconnect the phone lines and power from the back of the device you are using, wait a few minutes and plug back in and it should work. Other than that, NO problems!
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thx.
Have a Lanier VW system which pulls voice files
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If you deal with seperate dempgraphic files I can help also. Thanks
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What digital voice recorder would you
nm
Digital Voice Recorder
www.transcriptiongear.com has a bunch of choices and they all come with the software to transfer the files. The software can also be configured to return the documents too.
DVI stands for Digital Voice something, I
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I have Start Stop digital voice player--sm
and Spyware Doctor, as well. I have never had any conflicts between the two, and I really do not see why one would interfere with the other. although, I do not leave Spyware Doctor on all the time. I leave it off while I am working, as it did tend to slow things down a bit, but I never had any problems with it. I do run a nightly scan with Spyware Doctor though. I would be careful of other Spyware programs. I have had others that claim to remove spyware from your computer but actually do absolutely nothing. I believe the one I am thinking of is Spyware Eliminator, but I am not sure right off the top of my head. Good luck.
My digital voice player converts files to be --sm
able to be played. it sounds like your voice player does not. Maybe either you or she needs to save the file as a wav file first, prior to playing. either that, or try downloading the express scribe player, which is free, and try to play it with that. If that plays, then it is your voice player which is not compatible with the files she is sending you. good luck.
Start n' Stop digital voice player...which is what i use..nm
nm
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Dave
Any way to transfer microcasettes to digital voice files? (sm)
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Thanks!!!
Hi, Deeni! I did Lanier for several years and was always told that Lanier....sm
would only work with/accept/interface with other Lanier products, that everything was proprietary, but that was a few years ago and do not know if anything there has changed, wish I was of more help! Have a good one!
I do tapes and digital. And I was told if I'm not logged into the digital system, they assume I&
BUT she wants me logged into the system by 9:30 a.m. So I'm confused too. I've decided that I may come back to her and just say I'm not going to do the tapes anymore. I hate the tapes anyway. The voice quality is horrible, it fades in and out. It takes me twice as long to transcribe their tapes than the digital.
I think you'd be a great writer. (U already are.) - nm
x
I'm a steno writer
I went to school to learn how to use a steno machine, like in court, to "type" my medical reports. I have been doing this since 2000. I trained at 225 words per minute back in the day, so now I have a reservoir of speed to draw from when dictation speeds up. I rarely need to lift my foot off the pedal with steno.
I think steno is the fastest way to produce a report, but now that MQ is forcing us to do ASR work, I am not using my machine as much. To me, this is unacceptable since they only pay 70% of our base line rate for ASR. I have hung in there so far, but I'm fast approaching the need to get out of MQ since I used to produce 2000 lines a day easily with steno, way less now on ASR reports.
They say ASR is 30% faster than non-ASR thus they justify knocking off 30% of our base rate. Not true. ASR has slowed me way down, can barely make the minimum each day. Last I heard, they will not take us off ASR if we request it. I'm getting madder by the week and losing tons of money in the process.
She is a great writer. I read
In the Meantime, by that author, she used to be on Oprah a long time ago. Thanks for the poem, enjoyed it, especially the last line.
Writer and PT marketing consultant
z
Meant professional writer. Know what HIM is. Sorry. nm
X
What do you need a Master's Degree in to be a science writer?
?
For all the fans, very interesting insight from the writer of the show.
Shonda Rhimes long take on part two:
From Shonda: It's the end of the episode (as we know it)
Original Airdate: 2-12-06
So Dylan’s dead.
And I have to admit, I’m a teeny bit relieved.
Don’t get me wrong, I love Kyle Chandler. He was great as Dylan. Smart, funny, cute, and very much in charge. I was, in fact, a little bit in love with Dylan. Not as in love as I am with McDreamy or Burke but…you know, there were moments during the filming of the episodes when Dylan would be saying something bossy or helping Mer down the hall, pushing that gurney and being all bomb squad-y, moments that I was thinking, hey, maybe he doesn’t have to explode.
But still I am relieved. Why? Well, I’m glad you asked. Here’s why:
At the end of Act Five, there is a scene. Scene 52. I wrote this scene about fifteen minutes before I had to print out the script and hand it over to production. It reads as follows:
INT. OR CORRIDOR -- CONTINUOUS
Meredith leans her head out. Sees Dylan heading down the hall. She's just about to open her mouth...
...When the ammo explodes. When Dylan explodes. Fire, shattering glass. Meredith is thrown backwards.
Okay, that’s…what? An eighth of a page? A sixteenth of a page? A tiny fraction of the script, right?
The ammo explodes.
Dylan explodes.
I wrote those words and was actually ignorant enough of the horrors to come that I gave it to the production team and then slept the sleep of babies and angels for several nights in a row.
The ammo explodes.
Dylan explodes.
Seriously? SERIOUSLY?
All of the sudden, you find yourself in meetings with real live bomb squad guys and special effects guys and a very tense director and everyone is asking you things like “When you say, bloody rain…you actually want bloody rain or just like, some blood spatter?” And things like “When Dylan explodes, you wanna see chunks of Dylan or do you want like, a Dylan vapor?”
These are thing I don’t want to think about. These are things that make my head hurt. The ammo explodes. Dylan explodes. It’s in the script. I wrote it. I know that. But I don’t want to think about Dylan chunks or bloody rain. I don’t want to think about it at all. I like to write things and have them happen. I like to keep myself in a kind of stalker-ish fog in which I believe my characters aren’t characters but actual people. It’s how I can write them. So when you ask me about Dylan chunks, my brain gets all twisty and shuts down. Because Dylan’s a person, a very real person to me and I love him and it’s not my fault he has to die and besides…yuck.
But I’ve got Rob Corn on my ass.
Rob Corn doesn’t care if I try to kick everyone out of my office when they bring up bloody rain or he doesn’t care if I try to pretend I can’t speak English when someone asks me about bloody chunks. Rob Corn is the producer on our show and it’s his job to make things happen and, if I am stupid enough to write Dylan explodes on a piece of paper, Rob Corn is damn well going to make sure that Dylan explodes. Behind his back, I like to call Rob Corn Bossy McBossy. It doesn’t sound affectionate here but in real life, it’s really sweet and kind. Trust me. Anyway, Bossy McBossy told me that we had to do tests so we could figure out how exactly Dylan explodes.
Tests? Dylan explodes. What’s there to test? HA! I’m clearly an idiot.
They built this model of Dylan’s body and one day I am herded out onto the back lot of the studio at the request of Bossy McBossy Rob Corn. Then I have to stand and watch as 20 or 30 really happy guys (testosterone is a powerful thing) position the model of Dylan just right and explode it into tiny little pieces. Twice. It is very loud. Wow. Dylan explodes. I’m all, “great, thanks, way to go, very manly.” And I turn to flee, prepared to head back to my office, happy that the Dylan explodes part of this is over so I can pay attention to the other stuff, the estrogen stuff, the fun stuff like Bailey and George giving birth and Derek describing that kiss to Meredith…
…But Rob Corn raises an eyebrow and very gently says, “Uh, Shonda?” and I go really still with horror. Because I suddenly start to realize that a) that little test was only the beginning and b) that, for the rest of my life, I was going to regret ever typing the words Dylan explodes into my computer.
They blew up test dummies. Tall dummies, dusty dummies, dummies with helmets, dummies without helmets. They blew up test dummies filled with fake blood. They blew up pieces of our set. They set off an explosion on the set of our operating rooms. They used stunt girls and stunt guys. Ellen let them pull her through the air. I think there were blue screens and green screens and animated pieces of debris and glass. The genius special effects guys added fire and smoke and things I can’t imagine but things that made it amazing. The sound guys added over 100 layers of sound elements so that, if you have HD and you watch with surround sound speakers, the explosion flies at you and passes you and swirls around you.
Dylan explodes.
The explosion was beautiful. Amazing work and truly impressive. I told everyone so. I can’t believe the amount of talent and energy that come together to make this show happen. But next time I get a Super Bowl and post-Super Bowl time slot, I’m gonna write something different. Something a bit easier. Something less time-consuming and expensive. And without so many bloody chunks.
Dylan puts the ammo down and goes to have a sandwich.
Enough about Dylan, may he rest in peace. I want to tell you about the difference between the first episode titled “It’s the End of the World” and the second episode “(As We Know It)”.
I tried really hard to make the first episode very male and the second episode very female. I wanted them to fit together, like puzzle pieces. So that I could have two episodes about the same thing but that felt very different from one another. The first episode is all amped up energy, all naked girls and screaming and bombs and running down hallways and men saying things like “Get out of my OR.” The second episode is all long pauses. Long pauses and sitting and pushing out babies and kissing in linen closets and lots of discussion about how the hell this is all going to end. The first episode is what happens when danger strikes. The second episode is how we deal with danger when it strikes. The epicenter of this episode is the hallway/gurney scene. It’s the first scene I envisioned at all when thinking of these two episodes. I kept saying, “there needs to be this scene where Meredith and Cristina move down the hall really slowly with the ammo and Dylan and talk about boys.” And everyone kept nodding very politely with tight smiles the way they do when they are sure you have gone off the deep end. But Elizabeth Klaviter (she’s our super smart medical researcher) got on the phone with the bomb squad guys and the doctors and she got them to tell her how this would be possible. How I could get that gurney rolling so Meredith and Cristina could discuss the state of Cristina’s relationship. I needed that discussion which, for me, is really just a big old metaphor for how we deal with the tragedies in life. You’ve got your hand on a bomb but you don’t want to talk about it over and over, you don’t want to face it – so you talk about something else. Most of life is talking about something else. Plus, I found this really cool song by The Greenskeepers that I was dying to use.
George is a big key to this episode. If you pay attention, he’s the one who serves as our witness. Through most of the episode, he wanders around, a bit bewildered. He’s the one who feels the most helpless. And then he has that moment with Hannah where she talks about the nature of cowardice, where she says that to do nothing is to be a coward. And he acts. He helps Bailey through giving birth. In the first episode, he’s fantasizing about what it would be like to see three women in the shower. In the second episode, he sees what three women in a shower is like in reality. Because, guys, women don’t just climb in a shower and start soaping each other up for no reason. Hello!? Life isn’t porn. Life is Meredith, bloody and battered, being gently cleaned off (chunks of Dylan) by her best friends. And so he leaves. Because what he is seeing is too intimate.
The last thing I want to say about this episode has to do with Meredith. Because all she really wants is some kind of reason to live. I’ve heard a lot of talk about Meredith being whiny but the truth is, she’s got a mom with Alzheimer’s, no other family to speak of, and the man she loves is married. She’s pretty freaking lonely, people. She’s got a right to get her whine on. So, when she falters, when she doesn’t want to pull her hand out of Mr. Carlson, it’s partly because she’s got nothing to hang on to. As she says in the first episode, she needs a reason to go on, she needs some hope. Which is why she has to picture Derek to get through it. And at the end, when he shows up at her house (and he shows up just to see for himself that she is alive), she has to ask. She has to ask him about their last kiss because if she’s ever going to get out of that bed again and keep going, she needs a reason. She needs to know there’s someone out there for her. She needs some hope. And Derek (can Patrick Dempsey be any more amazing?) describes that last kiss, the last kiss they had as a happy couple, in such perfect detail that Meredith knows she’ll be okay. Because he wouldn’t remember that kiss so well if he didn’t love her. He couldnt. Its her sign.
He loves her. Even if he can’t be with her. Even if he has a wife.
He loves her, people.
I told you, there’s hope.
I can’t promise you anything because, like I said earlier, the characters are alive for me and thus, I can’t make them do anything against their will. But my fingers and toes are crossed for the Mer/Der love…
Once again, thanks for watching the show.
Anything by Elie Wiesel...he is an amazing person/writer..nm
nm
Too bad the writer didn't address the true reasons why this is not
an attractive field to enter.
Who in their right mind would spend time and money training in a dying profession? Can you say EMR, ASR?
Who in their right mind would spend time and money to train for a job which conceiveably could end up paying minimum wages, few benefits, little reward?
How many have spent time and money training only to find there are few companies who will hire newbies, few companies who offer flexible work schedules, few companies who work with you to make a living wage rather than to throw you into a pool of accounts guaranteed to keep your wages low?
How many expert MTs have left the profession due to reasons above?
CEOs need to wake up and take care of the excellent MTs they can manage to retain; quit messing with our paychecks with creative line counting, quit throwing multiple accounts at us and then expect 1000s of lines a day, quit basing our health insurance on production rather than hours worked; quit expecting us to be happy to work outside our scheduled hours because you provided no work within our scheduled hours with your too tight TATs, and on and on.
How often do I recommend this profession to young people? Never.
I'll write it..I am a professional freelance writer as well as an MT
Let the ideas roll!
I just sent it to 60 Minutes staff writer - You guys help me- please read
Who ever mentioned sending it to Lou Dobbs, Dateline, or anybody else, please send this along yourself and name who you sent it to here on this site, so it is not duplicated to the same person too much. Girls, I don't want any credit for this - I just want someone to look into this who has access to any credible sources and figures. What ever it takes to get this out there - please help me do it. We are talking about 30 MILLION jobs and counting. I have already sent it on whitehouse.gov and to 2 newspapers. Copy the thing. Spread it around as much as you can and encourage others to do the same.
Sitcom & screenplay writer/philanthropist. - no message
:)
Should be voice to voice (talking), not transcribing. nm
nm
Lanier
Yes Transcend uses the voice writer on certain accounts. Just started using it.
Lanier VXP??
Anybody use Lanier VPX? I can't get my wav pedal to play these files. Any suggestions?
Lanier VXP
These can only be played with a Lanier footpedal. They have a proprietorial header on the voice file and cannot be opened without the appropriate footpedal.
I have a lanier - sm
I would like to know more too. Thanks.
lanier
Does anyone use a lanier voice writer and looking for extra work? Thanks!
lanier
I know this may be redundant, but try unplugging everything and then start over. I have had this happen and it corrected it. Good luck!
Lanier LX-219-1
Can someone tell me what the VVI board underneath the Lanier machine is used for?? Does the Lanier machine with the phone attachment work the same way even though it does not have that VVI board???
I NEED HELP with this Lanier LX-219-1
Please help...I am ready to pull out my hair....
I need to set up my Lanier LX-219-1 system into a vonage modem
and I am TOTALLY lost...have tried all kinds of different connections
to no avail....Any ideas or help would be greatly appreciated...
Thank you...
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